It's an impressive endeavour filled with twists and turns that elevate it beyond a straightforward war story, although stock characters and a whiff of cheese about the script hamper its narrative aspirations. It's a surprisingly cinematic experience too, with missions bookended by meticulously directed cutscenes telling the story of the three-way conflict. The Polanian campaign, for example, charts the story of the country's resistance against Rusviet occupation, as young resistance fighter Anna Kos tries to rescue her father from the evil general Zubov. Although they seamlessly conjoin into one story, there are actually three campaigns, each focussing on a different faction.
Iron Harvest loves playing with scale, and that goes for its campaign as much as individual matches. I can't decide if the audio designers deserve a medal or a reprimand for creating such a cacophonous hellscape.
IRON HARVEST VS IRON HARVEST DELUXE FULL
The sound of Iron Harvest in full swing is tremendous. Shortly afterward, the mechs begin to appear, mainly anti-infantry at first, but soon combat is mech on mech, giant death machines trading massive cannon shots that leave whole sectors scarred with craters and reduce buildings to rubble. Then it layers in more advanced types of infantry-grenadiers who can destroy cover and cripple units with a well-placed grenade, and machine-gunners who can pin enemy units down and create chokepoints on the map. Matches start out small, with squads of rifleman trading potshots from cover as they rush to capture early control points. The spectacle of any given Iron Harvest match is phenomenal.
0 kommentar(er)
